Guitar Theory Chord Progression

There is plenty of theory connected with the blues guitar, but there are certainly lots of discussion and a big misunderstanding. Let's start with a look at the blues key of E. Some guitarists to assume that the basic scale for playing blues music in this key would be the E minor pentatonic scale with a flat fifth. Their strings would be E, A and B or I, IV and V. The fact is that most of the blues guitar players use a mixture of scales when playing solos.
The Mixolydian is similar to the large scale but rather larger scale, has a flattened seventh. The only thing to remember with the Mixolydian is that the root is the fifth note of the key you are playing in. So, if you're playing in the key of E mixolydian starts with B.
You can get some understanding of how to use improvisation in Mixolydian blues playing the major scale a perfect fifth below the chord you're playing. So, to use the Mixolydian over a chord you play the D major scale, but starting with the note A.
It's much better to approach the blues through play, rather than theorizing. Once you are able to play on twelve bar blues using the scale minor pentatonic scale, you should learn a few twists. The turnaround is the bit at the end of the twelve bars that sets it to the next verse. Start by trying to imitate what you hear records. Even if you think your soil does not sound very good, you will be amazed at how they sound much better once you master a few twists.
Another thing you need to learn the blues is to listen. Not only the way we usually listen to music, but as a part of your guitar practice. Half hour or so to hear the great blues guitarists will soon be felt in your game.
When you are learning the art of improvisation, you can play simple notes on a guitar or you can play chords. For a guitar player there is a choice between playing an improvised solo over a chord progression or you can play a single note melody accompanied by low scores on open bass strings.
Playing only one note tune accompanied by the bass notes in one or two open strings helps train your ear and, with regular practice, gives the gift of letting the notes follow each other under their guidance. The intensity of playing with other musicians in front of an audience often kills more valuable as an improvising guitarist can develop - the ability to listen and respond to music that the singer, bassist, drummer and guitarist is doing.
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Article Source: ArticlesBase.com - Blues Guitar Theory
How to Learn Blues Chord Progressions: Vol 1 : How to Play 'Little Red Rooster' on Guitar: Part 1
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