All About Guitars
Guitar Triads Lesson
II-VI progressions are common in most types of popular music and mainstream jazz and more. If you can play II-VI progressions you are in a position luck. What then is a ii-VI progression? Well, come and see!
The C-major scale has seven notes: CDEFGAB
The C-major chord consists of notes first, third and fifth C-major scale. This is called a triad.
A chord built from the first rung of the scale can also be called an I numeral.
If I get the second note of the C-major scale and build a triad chord DFA, I have a chord built on the second step of the scale.
This will be a D-minor chord and I indicate that I built a rope from the second note of the C-major scale, giving you the number II with Roman numerals.
If I decide to build a triad chord fifth note of the C-major scale I have to add more notes in the C-major scale: CDEFGABCD
If I start to build a triad G will consist of the notes GB D. This is a G-major chord and show that it is a triad built from the fifth stage of the C-major scale, we call it V, which is the Roman numeral for five.
The only smart thing with Roman numerals is that they do not indicate an absolute chord, but the position of a chord in the key you're playing on your guitar, piano or other instrument.
In the key of C Roman numbers representing the chord C, II shows the chord D-minor chord and V of G. Simple, we can say that when I say I'm playing a II-VI chord progression in the key of CI will play the chords D, G minor, and C.
Actually this is just the beginning of the art of playing II-VI progressions. You can spice the chords in different ways and play the chords more or less.
And of course a chord on a piano can be played in many different ways. The C-major chord must have the notes C, E and G, but as many, or where to play them is a matter of choice.
Here are some simple examples of II-VI progressions, C-major, which can be transposed to other keys:
1. Dm, G7, C 2. Dm7, G7, C 3. D7, G7 C
When you practice these progressions on your piano you can choose to play with both hands, with his left hand, leaving room for improvisation right hand or right hand, giving space for the left hand playing bass and improvisation.
Practicing to play II-VI progressions on your piano will help you see the relationship between chords and be able to play these progressions in different key will give you a tool that will help you recognize progressions chords in the songs you hear what will help you trancribe play by ear.
About the Author:
Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your
free sheet music
and learn to play piano resources at
http://www.capotastomusic.com
Article Source: ArticlesBase.com - Learn To Play Piano Chords: Learn To Play II-V-I Progressions
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